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THE PAINTING

Stone Emerging from Air

Inspired by Leonardo da Vinci

Stone Emerging from Air

Every stroke in the painting chapters is a real recorded brush mark from Arthaus’s native replay.

Painting at 25 percent
25% of the replay
Painting at 50 percent
50% of the replay
Painting at 75 percent
75% of the replay
Notes from the canvas

- **Ground:** tan. - **First marks (330–560):** pale cream (the façade), sky blue and ochre, two olive-green ovals (the live oaks), one near-black dash (the doorway), and warm sand at the bottom edge. - **About frame 700:** dark olive tree masses left and right, a sandy façade block, and a blue sky band. At this point the picture reads purely as light against dark. - **About frame 860:** the Alamo façade with its arched door, cumulus clouds, and **blue-grey distant hills** behind the roofline. - **Refinement (985–1385):** the blurry façade sharpens into carved pilasters, niches and windows, with crisp shadow under every ledge, plus raking shadows on the dirt plaza. The oak edges against the sky stay feathered. - **Touches:** a warm cream-gold mark lands on the façade at frame 1455 (x 0.61, y 0.47 from top). - **Final:** warm late-afternoon light on pale limestone.

This painting is not currently listed for sale.

Painting provenance

Origin: american-landmarks-v1

Construction profile: leonardo-da-vinci

Painting SHA-256: afd23273645faf04f352019b942d8329180117c0fcc0751c198fde9e50678170

Video SHA-256: f32785bfb66042da392f4386718646618bd8941a214defbdc376502265c3c4c9 · Cut r1

Recorded construction and reference rights

16,078 recorded strokes.

Landmark reference: The Alamo front view. Credit: Bigroger27509, own photograph, Wikimedia Commons. Rights: Photographer/uploader explicitly releases this own work into the public domain worldwide, with unrestricted-use fallback. PD-self recorded on revision 1256452327..

Recorded brush execution demonstrates how this digital canvas was built. It does not establish historically recovered gestures or a physical simulation of paint.

The research evidence does not establish independently validated artist-wide style.