A Beacon Against the Blue
Inspired by Vincent van Gogh

Every stroke in the painting chapters is a real recorded brush mark from Arthaus’s native replay.



Notes from the canvas
- **Ground:** slate violet-grey. - **First marks (330–560):** **ochre** ovals (the cliff), a dark brown dash, a **cobalt-blue** dab at the top (the sky), and a dark navy oval (the water). - **About frame 700:** blue sky bands, an ochre and cream cliff mass, deep blue water, and **orange** at the right horizon. - **About frame 860:** the golden sunlit cliff, red-roofed buildings, an orange sunset band, deep blue sky with violet-pink cloud streaks and a few star dabs, a **gold reflection path** on the water, and dark rocks in the foreground with white surf. - **Refinement (985–1385):** short loaded dashes everywhere, following the waves and the rock faces. The small white lighthouse appears on the cliff top (faint by 1040, crisp by about 1240). The gold reflection path breaks into separate dashes. - **Touches:** a lemon-yellow mark lands in the gold path on the water at frame 1494 (x 0.21, y 0.70 from top). No touch lands on the lamp itself, so the old "the lamp is lit" line was changed. - **Final:** dusk, with bold dashes everywhere. It is the right painting for this host.
This painting is not currently listed for sale.
Painting provenance
Origin: american-landmarks-v1
Construction profile: vincent-van-gogh
Painting SHA-256: 8641ea6a3838804abfd93603a64221e228f5e0f705619e64e6b7261555e832da
Video SHA-256: 0bd06bfdd9b57a14bd4b9b4c83be6a77361a460b33c849b202eadfb51dd06e77 · Cut r2
Recorded construction and reference rights
16,366 recorded strokes.
Landmark reference: North Shore Scenic Drive - Split Rock Lighthouse. Credit: Dennis Adams / Federal Highway Administration, National Scenic Byways Program; NARA 7720719. Rights: Public-domain FHWA official-duty photograph per attributed NARA finding aid on Commons; live NARA page returned a JavaScript shell..
Recorded brush execution demonstrates how this digital canvas was built. It does not establish historically recovered gestures or a physical simulation of paint.
The research evidence does not establish independently validated artist-wide style.